We all could be players on the world stage, nevertheless the question remains why we show the psychological responses to the happenings depicted from the fiction, whether in print or visual presentation, like in real life? Much enjoy dreams our imaginations get presented to us over the mental screen as though we had been watching movies or television. And as in dreams the actual world becomes supplanted by the imagined virtual universe even though we’re fully awake. That planet has perfect resemblance to the actual one and everything happening in it seems real as a result of something changing in our cognition faculty. But the mechanism which triggers our emotional responses remains unchanged and consequently we respond to the fiction in the exact same way as in actual life.
Here we have some similarity with the digital reality of the contemporary computer technology, which can be an artificial environment created by software. It’s presented to the audience in this manner in which the person temporarily suspends own opinion pattern and accepts it as a true environment. In a way it isn’t different from the phenomenon of being transported to the imagined universe of fiction, except that the computer performing the task is in the mind and we don’t have any clue as to what is the software and who’s the developer.
That brings us into the cause of emotional response itself. In regard to fiction the most frequent emotions are likes and dislikes that could become their stronger forms of hate and love. In real life we love or hate someone because of a few attachment through kinship, friendship, or through indirect knowledge of the individual. One cannot love or hate a person one does not know in any way. Attachment can also be to other living beings, material things, and even to fanciful things. We love or despise a story or even an idea. For an ordinary person it’s impossible to live unattached to items in the world. If a person can eliminate attachment, one unites the rank of enlightened souls who are indeed rare. We carry our ability and desire for affection into the fanciful world of fiction. We view the characters that we come to understand as the narrative progresses, shape our likes and dislikes, and respond in precisely the same manner as in real life except we cannot socialize together physically. But we do socialize with them in our minds and hearts from where the emotions come. As you can plainly see, what you will find out about discover this info here is some points are far more significant than others. Nevertheless, the bottom line is how you want to make use of it, and how much of it will impact your situation. As you know, there is much more to the story than what is available here. We are saving the best for last, and you will be delighted at what you will find out. We think you will find them highly pertinent to your overall goals, plus there is even more.
The simple fact is that in a specific sense life itself is fiction. Like a story it’s a beginning, an end, and also lot of stuff in between. We do not know who writes this fiction nor will ever understand. Thus we’ve got an innate affinity with fiction and cannot completely detach ourselves from it. And maybe that’s why, while studying or viewing fiction we get dropped in the wonderland of imagination, but for that brief period we operate exactly in the exact same way as we would in the real world of our understanding. In that sense fiction is simply invented reality.
Theme is the reason fiction things, since it’s the quality that provides the story a universal appeal. Some say motif is what the story is about, but that’s too ephemeral a definition, which may get confused with all the idea or the plot.
Theme enriches and inspires the reader while saying something profound about the human state. Theme is the abstract notion behind the story forming the narrative’s heart and soul which the exposition, dialogue, and action reflect every opportunity they get.
Theme is not the characters or the plot or the first idea that started the story. By way of example, a writer could begin with the concept of exploring family connections between girls, but as his story progresses, his theme may shape up as understanding and forgiveness between different generations of females. There are some topics on which it is very hard to write any kind of story.
Theme is indicated, occasionally without the author’s understanding of it in the beginning; nonetheless, more seasoned authors usually work on their theme more difficult than any other part of the narrative as soon as they grab on to what it is they’re writing about.
In non-fiction, the author is suggested to hone in to his subject and begin referring to it right at the very first paragraph. In fiction, on the other hand, the motif usually blossoms through the writing as the narrative progresses.